The Criterion Collection
May 5, 2021 — Deep Dives THE LIFE OF THE LANDIS PERPETUATEDIN RIGHTEOUSNESS one of the protest signs depicted (poetically, upside down) in The Sand Island Story Victoria Keith was a high school teacher, in 1976, when she heard about the pending eviction of two farming communities on Oahu’s East Shore....
On the Channel
Apr 28, 2021 — Channel Calendars Next month, the Criterion Channel celebrates independent, pathbreaking, and underappreciated artists. We’ve got a retrospective devoted to Gena Rowlands (pictured), the indie-film legend whose acting blurred the line between life and performance; a centenary tribute to the great...
The Daily
Mar 5, 2021 — This week offers a new magazine, conversations with Guy Maddin and the great women filmmakers of the 1970s, and a new restoration of a Hong Kong classic.
The Daily
Mar 5, 2021 — Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.
The Daily
Jan 5, 2021 — The director overcame anti-Semitism or misogyny to make such unique films as Hester Street and Chilly Scenes of Winter.
Dec 14, 2020 — This year’s selection features a record number of films directed by women and people of color.
The Daily
Dec 4, 2020 — A landmark week for the industry has us looking back to past periods of tumult and change.
On the Channel
Nov 30, 2020 — Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...
The Daily
Oct 30, 2020 — How fitting it is that the season for scary viewing arrives as we teeter on the cusp of a historical moment.
Essays
Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...