The Swissmakers

Mar 10, 2016 — From its very earliest years, the cinema has offered a uniquely powerful tool for artists seeking to give new life to great works of literature. The creations of literary icons have served as the inspiration for some of film’s most...

Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.

Feb 19, 2016 — The filmmaker, who began his career as a stage director and designer before shifting his focus to movies, swung by for a chat about his new film and his lifelong affinity for the macabre.

Feb 12, 2016 — Last night marked the opening of the forty-fourth annual Dance on Camera festival, hosted by the Film Society of Lincoln Center and copresented with the Dance Films Association.

Feb 5, 2016 — Today marks the birthday of French New Wave pioneer François Truffaut. In celebration of his incredible life and body of work, revisit a selection of essays and Criterion supplements dedicated to the brilliant filmmaker and cinephile: “The face of the...

Jan 28, 2016 — Repertory Picks Last weekend, at San Francisco’s Castro Theatre, the Film Noir Foundation kicked off its fourteenth annual Noir City celebration. The focus of this year’s festival, which showcases twenty-five favorites of the genre, is cinema’s fascination with the art...

Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.

Jan 8, 2016 — In March of 1967, Bosley Crowther, then the film critic for the New York Times, wrote about Orson Welles’s Chimes at Midnight, penning what is now considered one of his most famously wrong-headed reviews.

Jan 7, 2016 — View a clip from Lady Snowblood: Love Song of Vengeance, featuring actor Meiko Kaji in a scene that highlights the film’s dazzlingly choreographed combination of visual beauty and unflinching ferocity.

Jan 7, 2016 — At the gala for the New York Film Critics Circle’s 2016 awards dinner Criterion president Peter Becker accepted an award on behalf of his father, Criterion cofounder William Becker. His remarks are reproduced here.