The Criterion Collection
Oct 15, 2015 — Arnaud Desplechin stopped by for a visit and dispensed a few of his gems of wisdom.
Short Takes
Oct 15, 2015 — Coming off the success of John, her latest acclaimed stage production, Pulitzer Prize–winning playwright Annie Baker is more in demand than ever.
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...
Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.
Short Takes
Sep 2, 2015 — In preparation for our upcoming release of D. A. Pennebaker’s groundbreaking 1967 Bob Dylan documentary Dont Look Back, we recently visited the legendary filmmaker at his home, where he introduced us to an old friend. Photo by Grant Delin That’s...
Short Takes
Aug 31, 2015 — “When you’re writing a screenplay, it’s like you’re dreaming the film for yourself again and again and again until it becomes almost like a memory before you make it,” says writer and actor Greta Gerwig in a new interview in...
Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.
Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...
Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.