Apr 21, 2022 Critics recommend favorites from this year’s selection of twenty-six features and eleven shorts.

Mar 30, 2022 Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Mar 24, 2022 Yes, it’s a trip to the moon, but mostly, it’s a lovingly detailed recollection of being a kid in Houston in the summer of 1969.

Mar 15, 2022 The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Pasolini at 100

The Daily

Mar 3, 2022 Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.

Time and the Times

The Daily

Feb 25, 2022 A young Luc Moullet’s thoughts on Luis Buñuel and Ethan Hawke’s work with Richard Linklater are among this week’s highlights.

Feb 17, 2022 Here’s a sampling of early critical response to this year’s winners.

Jan 11, 2022 A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Jan 1, 2022 Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.

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