The Criterion Collection
Essays
Nov 25, 2020 — “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...
The Daily
Nov 25, 2020 — A talk with Claudia Weill, a new issue of Cineaste, and an appreciation of playback singer Asha Bhosle are among this week’s highlights.
Features
Nov 20, 2020 — Standing before his friend Basil Hallward’s portrait of him, the paint barely dry, Dorian Gray implores to some unseen force: “If it were I who was to be always young, and the picture that was to grow old . ....
The Daily
Nov 19, 2020 — This month, we’re sorting through new books featuring—for starters—Jean-Luc Godard, Marguerite Duras, Billy Wilder, Geraldine Chaplin, and Harmony Korine.
Essays
Nov 17, 2020 — Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...
Nov 17, 2020 — Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...
The Daily
Nov 13, 2020 — We’re keeping busy with online festivals, awards nominations, remembrances, and plenty of weekend reading.
Essays
Nov 10, 2020 — The coming-of-age drama is generally thought of as portraying adolescence—the sexual awakening, the high-school cliques, the angst about the future. At least that’s the assumption on which Hollywood has profitably based its avalanche of teen pics for lo these many...
The Daily
Nov 2, 2020 — He became a star in the 1960s as 007 and carried on winning over fresh waves of fans through the 1990s.
Nov 2, 2020 — Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...