A Dream

Jan 17, 2018 — “My appreciation for his inspiring and innovative cinema grows deeper as the years go by,” writes Mehrnaz Saeed-Vafa in an essay that Jonathan Rosenbaum’s posted on his site, “Reflections on Kiarostami’s Two-Way Mirrors.” A new and expanded edition of their...

May 27, 2017 — The Un Certain Regard jury of the 70th Cannes Film Festival—Uma Thurman (president), Mohamed Diab, Reda Kateb, Joachim Lafosse, and Karel Och—have announced the winners of this year’s awards.Un Certain Regard Prize: Mohammad Rasoulof’s A Man of Integrity. At the...

May 25, 2017 — New York. “You can’t go wrong with a retrospective of Ernst Lubitsch, whose movies still sparkle with urbanity and sly wit,” writes Neil Genzlinger in the New York Times. “Film Forum serves up a feast of them beginning Friday, June...

Oct 2, 2015 — We were delighted when Greek director Yorgos Lanthimos and his wife, the actress Ariane Labed, dropped by for lunch in the Criterion kitchen on Monday.

Jun 28, 2011 — Black Moon may well deserve the title of Louis Malle’s film maudit. The release in September 1975 of what he called his “mythological fairy tale taking place in the near future” disconcerted many, especially as people had expected him to...

Feb 1, 2011 — When Krzysztof Kieślowski’s The Double Life of Véronique was first screened at Cannes, in 1991, the critical reception was rapturous. Georgia Brown declared in the Village Voice, “Anything I say about [the film] is merely a labored minuet danced around...

Apr 30, 2009 — The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...

Nov 21, 2005 — Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann, in 1950, was in some way an admission by the...

Aug 2, 2018 — The Swedish master finds desire and despair in the fashion world in a key transitional film from 1955.

Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.