The Criterion Collection
Jan 2, 2017 — With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.
Tech Corner
Nov 14, 2016 — Last week, we were saddened to learn of the passing of Raoul Coutard. Our technical director, Lee Kline, shared some memories of working with the great cinematographer.
Nov 11, 2016 — After five great years, we’re bidding farewell to Hulu. We hope you’ll join us over at FilmStruck, the new streaming service we’ve just launched with our friends at Turner Classic Movies.
Sneak Peeks
Nov 4, 2016 — For our edition of the six-part chanbara epic Lone Wolf and Cub, we spoke with the author of the wildly popular manga series on which the films are based.
Criterion Designs
Oct 26, 2016 — When putting together the Criterion editions of Guillermo del Toro’s films, we assembled a talented group of artists, including Hellboy creator Mike Mignola, del Toro collaborator Guy Davis, comic book creator Becky Cloonan, and Russian artist Vania Zouravliov.
In Theaters
Oct 21, 2016 — Juzo Itami’s 1985 “ramen western” is back in theaters, in a 4K restoration, for the first time in decades. Here, we compile a selection of articles and videos to offer a taste of this outrageous culinary comedy.
Short Takes
Oct 13, 2016 — This morning, we were delighted to learn that Bob Dylan has been awarded the 2016 Nobel Prize in Literature for creating “new poetic expressions within the great American song tradition.”
Oct 3, 2016 — Polish music icon Zbigniew Preisner, who first worked with the Dekalog director on 1985’s No End and went on to contribute to all of his subsequent films. Here, we present a selected playlist of Preisner’s most memorable work for Kieślowski.
Short Takes
Jul 11, 2016 — In anticipation of a retrospective tribute to the collaborations of Rowlands and filmmaker John Cassavetes, we look at a candid conversation with the actor.
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.