The Criterion Collection
The Daily
Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...
On the Channel
Dec 11, 2016 — Earlier this week, we shared our interview with John Pierson, creator and host of the TV series Split Screen, which chronicled the emergence of a vibrant American independent film movement at the turn of the century. Almost two decades after...
Features
Sep 9, 2022 — James Wong Howe was a fighter, and he learned how to be one over the course of a turbulent upbringing. Born Wong Tung Jim in 1899, in the Chinese province of Guangdong, the man who would become one of the...
Production Notes
Sep 3, 2018 — The producers behind our edition of Tomás Gutiérrez Alea’s masterpiece share stories they discovered from researching the film and the turbulent political climate that inspired it.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Luis De Icaza.
The Daily
Sep 18, 2025 — No movie star was bigger in the 1970s, and he won an Oscar for directing Ordinary People. But Sundance may be his most impactful legacy.
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
Features
Sep 4, 2019 — With their novelistic density and sexual openness, the films of French master André Téchiné introduced director Stephen Cone to a strange new world of contradictions.
May 23, 2014 — Did You See This?• Richard Linklater and the Bernie situation • Celebrating lighting godfather Gordon Willis • Hitchcock/Truffaut: the movie • A new book seeks the Lubitsch touch. • Take another drive with Two-Lane Blacktop. • A new video interview...
Features
Apr 8, 2021 — If I wanted to do justice to my memory of Bertrand Tavernier, I would have to tell half my life. That’s why I prefer to start with his films—and with the one I perhaps like the best. In Coup de...