The Criterion Collection
Nov 21, 2023 — The decades have flown by, but Mean Streets (1973) has not become the least bit dated, even though we know how the careers of all the principals have evolved in the years since, not to mention that the world just...
Essays
Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...
The Daily
Oct 11, 2023 — New York and London jointly launch a new restoration of the first feature directed by a Black British filmmaker.
Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...
Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in Swedish Film—in which Widerberg...
The Daily
Aug 11, 2023 — Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.
Jul 25, 2023 — A master class in dramatic tension and pacing, Carl Franklin’s neonoir masterpiece explores the desperate energy and desperate deeds that fuel real crime.
The Daily
Jul 24, 2023 — One of the UK’s great celebrations of classic cinema opens in Bristol on Wednesday and runs through the weekend.
Essays
Jul 11, 2023 — Martin Scorsese drew on the influence of Hitchcock and Kafka for this anxiety-ridden tale of one bizarre night in New York City—a movie that energized him during a tumultuous period in his career.
Jul 11, 2023 — In her audacious debut feature, Cheryl Dunye blends romantic comedy and staged archival material to explore love, friendship, and early U.S. cinema’s history of exclusion.