Feb 28, 2023 One of the towering figures of postwar French literature, Marguerite Duras was also an innovative filmmaker whose rarefied cinematic style dared audiences to see less and listen more.

February Books

The Daily

Feb 14, 2023 This month’s roundup opens with an appreciation of Preston Sturges and wraps with a book launch serving donuts and damn fine coffee.

Jan 30, 2023 The festival is sending around two dozen award-winners out into an uncertain marketplace.

Jan 24, 2023 Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Jan 6, 2023 The interdisciplinary Canadian artist was best-known in the States for such landmark films as Wavelength (1967) and La région centrale (1971).

Nov 2, 2022 The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Oct 11, 2022 One mystery leads to the next over the course of twelve chapters split into two features.

Sep 28, 2022 A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Sep 19, 2022 Deeply influenced by his French education but primarily interested in the representation of African realities on-screen, this long-overlooked visionary approached a variety of subjects with a style both investigative and declarative.

Sep 16, 2022 The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

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