The Criterion Collection
Apr 28, 2020 — I first fell in love with Miranda July’s work with her strange, wild, poignant short stories; her stories led me to her novel and first two feature films, which I watch so often that they have over time become spiritual...
Feb 22, 2011 — It wasn’t intended. No one could have predicted it. But Sweet Smell of Success turned out to be a terminus where several movie genres and subgenres converged and curdled, producing a uniquely delicious perfume of everlasting cynicism. Inhale deeply. And...
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
Sep 27, 2022 — Darius Marder’s Oscar-nominated drama captures the isolation and despair of a man who suddenly goes deaf and struggles in vain to regain his former life.
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
Essays
Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.
Features
Apr 8, 2021 — If I wanted to do justice to my memory of Bertrand Tavernier, I would have to tell half my life. That’s why I prefer to start with his films—and with the one I perhaps like the best. In Coup de...
Criterion Designs
Jan 7, 2019 — The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.
Jan 14, 2015 — The writer remembers two New York film figures.