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Life Is Life

Jun 13, 2005 Godard’s famous claim that Au hasard Balthazar is “the world in an hour and a half” suggests how dense, how immense Bresson’s brief, elliptical tale about the life and death of a donkey is. The film’s steady accumulation of incident,...

Sep 13, 2004 This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no struc­ture, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...

Still Curious

Essays

Mar 10, 2003 Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.

Mar 11, 2002 This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.

Sep 6, 1999 The subject of loneliness and the observation of the isolated person has always interested me. Even as a child, I couldn’t help but notice those who didn’t fit in for one reason or another—myself included. In life, and for my...

Citizen Kane

Essays

Dec 3, 1984 Since the dawn of the sound era, an estimated 25,000 feature-length films have been produced—and that’s in the English language alone. When, in the early 1960s, an international group of film critics were polled as to their “number-one film of...

Feb 5, 2025 Starring Ben Whishaw and Rebecca Hall, the film is a vivid record of the art life in 1970s New York.

Nov 2, 2021 Wendell B. Harris Jr. is an American independent filmmaker trained in drama at Interlochen and Juilliard. His family founded Prismatic Images, a multi-award-winning film/video/audio production facility in Flint, Michigan, in 1979.Harris spent three years crisscrossing the United States in order...

Dennis Perrin is the author of Mr. Mike: The Life and Work of Michael O'Donoghue, The Man Who Made Comedy Dangerous (Avon Books) and American Fan: Sports Mania and the Culture That Feeds It (Spike/HarperCollins).

May 31, 2022 Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.

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