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Last Film Show

Oct 15, 2019 After breaking through in Medium Cool, Forster floundered until Quentin Tarantino plucked him from undeserved obscurity nearly thirty years later.

Oct 4, 2019 When I met Ann Carter in 2007 during the filming of a documentary about Hollywood producer Val Lewton, she was seventy years old, more than six decades removed from her starring role in Lewton’s The Curse of the Cat People....

Oct 4, 2019 Artists’ and amateurs’ videos, Ida Lupino, and TIFF Cinematheque programmers’ notes all figure in this week’s round.

Sep 25, 2019 Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”

Sep 13, 2019 Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...

Aug 28, 2019 1. Before he became a filmmaker, D. A. Pennebaker’s ambition was to play stride piano like Fats Waller. “What changed your mind?” I asked him. “Well,” Penny replied, “after I saw Fats play . . . ” Penny would have...

Jul 19, 2019 Who did Agnès Varda want us to believe she was? Why has the idea that Stanley Kubrick faked the moon landing caught on? And Roger Corman, feminist hero?

Jul 16, 2019 When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...

Jun 27, 2019 Early reviews of the Hereditary director’s second feature may be mixed, but everyone agrees that it’s quite a trip.

Jun 24, 2019 Jacques Tati’s cinematic legacy rests on his four sublime comedies featuring Monsieur Hulot, his on-screen alter ego, a gawky, good-hearted Frenchman hopelessly befuddled by the modern world that’s sprung up around him. But no less than such masterpieces as Monsieur...

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