The Criterion Collection
Features
Jan 30, 2014 — Growing up with the epically zany, star-studded comedy.
Jun 20, 2011 — Genres collide in the great Hollywood movies of the midfifties cold-war thaw. With the truce in Korea and the red scare on the wane, ambitious directors seemed freer to mix and match and even ponder the new situation. The western...
Features
Dec 9, 2009 — Not that he himself wanted to be remembered. Rather, he wanted his work to be remembered. He once wrote: “Take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’” It was as though he thought he did not exist except through...
Sep 29, 2008 — After Ozu died on his sixtieth birthday, December 12, 1963, some thirty-two diaries were discovered. They were from 1933 to 1963, and though a few years were missing, they offer a commentary on the life of the director and reveal...
Essays
Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...
The Daily
Mar 17, 2023 — This week: Good news from repertory programmers, new columns, and a talk with Louis Garrel.
Short Takes
Sep 27, 2017 — Filmmaker Allison Anders recalls a story about her time working with the late Harry Dean Stanton on the set of Paris, Texas.
The Daily
Nov 2, 2021 — As Denis Villeneuve prepares Dune: Part Two, writers delve into the religious and political ideas that inform the new franchise.