The Criterion Collection
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.
Essays
Dec 18, 2018 — Half a century before Julien Duvivier made his 1946 film Panique, the French social psychologist Gustave Le Bon published his influential study of mob behavior, The Crowd: A Study of the Popular Mind, in which he argued that recent upheavals in...
Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...
The Daily
Dec 6, 2018 — Also in today’s round of festival news: Guillermo del Toro’s alternative history of Mexican cinema and Sundance’s New Frontier.
Essays
Nov 26, 2018 — The Magnificent Ambersons In his interviews with Peter Bogdanovich published as This Is Orson Welles, Welles speaks nostalgically of the time he spent with his father in a tranquil enclave of 1920s Illinois, comparing it to “a childhood back in...
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
Nov 20, 2018 — The loss of Pablo Ferro and Douglas Rain reminds us that Kubrick had a sharp eye for unique talent.
Nov 19, 2018 — Billy Wilder proves himself one of cinema’s greatest pleasure seekers in this irresistible confection, a landmark of Hollywood comedy.
Nov 18, 2018 — This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.