The Criterion Collection
Apr 2, 2021 — This week people are writing and talking about Eric Rohmer, Michael Mann, Adam Curtis, the new Jump Cut, and the king of the “geezer teasers.”
On the Channel
Mar 29, 2021 — Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.
Mar 25, 2021 — In With Ossie and Ruby: In This Life Together, an autobiography cowritten by legendary creative and life partners Ossie Davis and Ruby Dee, Dee tells the story of working as a screenwriter on 1968’s Uptight. It’s a brief account, about...
Mar 24, 2021 — Performances By the time The Manchurian Candidate was released in 1962, Frank Sinatra had been on American screens and in American hearts for nearly two decades. His bobby-soxers had been displaced by Elvis fans, who had been displaced by Beatles...
Mar 23, 2021 — “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...
The Daily
Mar 22, 2021 — Here’s what the critics have been saying about the winners of the two main competitions.
The Daily
Mar 18, 2021 — The range this month is wide, from Tsai Ming-liang to Ida Lupino, from Tobe Hooper to Josephine Baker.
Mar 16, 2021 — In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...
Mar 9, 2021 — “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...