Sep 3, 2019 The twenty-five-year-old Marco Bellocchio certainly didn’t pull any punches with his stylish, subversive debut feature. Following a young man (Lou Castel) in the provinces who sets out to do away with his own dysfunctional family, Fists in the Pocket (1965)...

Bitter Harvest

Features

Sep 2, 2019 Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...

Aug 28, 2019 Check out what’s in store next month on our streaming service!

Aug 27, 2019 In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...

Sirk in the Sun

Features

Aug 21, 2019 One Scene One of my absolute favorite quotes from Douglas Sirk—and he has a million of ’em—was made in reference to Magnificent Obsession. “It is a combination of kitsch and craziness and trashiness,” he said (this isn’t the quote quite...

Sex, Sin, and Stanwyck

On the Channel

Aug 19, 2019 The early days of the talkie were certainly a sensational time for the movies, as Hollywood didn’t shy away from portraying all manner of debauchery on-screen. And no star better embodies this bawdy, brassy period before the enforcement of the...

Aug 16, 2019 Look back with us on the winding career of Arthur Jafa, a summer spent with Tilda Swinton, and an evening with soccer “super-fan” Agnès Varda.

Aug 14, 2019 There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...

Moods and Memes

The Daily

Aug 9, 2019 This week we’re revisiting the work of Ida Lupino, Nicholas Cage, Juraj Herz, Spike Jonze, and more.

Aug 6, 2019 The groundbreaking filmmaker had a hand in inventing—and then reinventing over and again—the modern documentary.

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