Life, and Nothing More…

Sep 19, 2011 — Jean-Luc Godard, lover of paradox, once characterized Claude Chabrol’s Les cousins (1959) as “a deeply hollow and therefore profound film,” a pronouncement, like so many of the pithy mots Godard used to reel off in the pages of Cahiers du...

Apr 21, 2010 — This piece originally appeared in La revue du son in December 1962, and was translated by Royal S. Brown for his 1972 book Focus on Godard. When Jean Collet submitted the article for the collection, he wrote that his remarks...

Sep 13, 2004 — This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no struc­ture, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...

Feb 19, 2001 — Leaving the theater after the tumultuous world premiere of Do the Right Thing at Cannes in May of 1989, I found myself too shaken to speak, and I avoided the clusters of people where arguments were already heating up. One...

Feb 11, 1990 — Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.

Dec 3, 1984 — Since the dawn of the sound era, an estimated 25,000 feature-length films have been produced—and that’s in the English language alone. When, in the early 1960s, an international group of film critics were polled as to their “number-one film of...

Sep 27, 1999 — In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...

Aug 3, 2026 — The American Cinematheque presents six of the eleven films Douglas Sirk and cinematographer Russell Metty made between 1952 and 1959.

Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.

Dec 17, 2025 — Spike Lee captures the democratic spirit and the galvanizing, near-spiritual feeling of togetherness at the heart of David Byrne’s acclaimed stage production.