The Criterion Collection
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
The Daily
Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.
Oct 9, 2018 — The Oscar-winning director of La La Land explains how an early encounter with À nos amours taught him to mix spontaneity and surprise into his own highly stylized worlds.
The Daily
Oct 8, 2018 — Features by Tsai Ming-liang, Jodie Mack, and Gabriel Abrantes and Daniel Schmidt exhibit the range of the NYFF program.
The Daily
Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.
Oct 1, 2018 — A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.
Sep 27, 2018 — A look inside the process of collaborating with Terrence Malick on the new cut of his 2011 masterpiece.
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
Sep 19, 2018 — The writer and editor for Artforum, cofounder of October, and professor at NYU was ninety-six.
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.