Back To Search

For His Son

Ordet

Essays

Aug 20, 2001 The strangeness of Ordet is something that no number of viewings, God willing, will rub off. I want to stress this strangeness. That Ordet is a great film, one of the greatest ever made, only a rash or foolish person...

Black Orpheus

Essays

Jun 7, 1999 From the moment of its first appearance, at the Cannes Film Festival in 1959—where it won the Palme d’Or—it was clear that Black Orpheus was a very special film. Taking the ancient Greek myth of a youth who travels to...

Nov 29, 2011 Author Michael Korda (Charmed Lives: A Family Romance) writes: Few things are more challenging than picking ten favorites out of such a long list of distinguished films as that of Criterion, and it seems only fair to point out that,...

Feb 18, 2016 The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.

Jul 8, 2026 Around five hundred films—restorations, revivals, rediscoveries—screened last month in Bologna.

Unmistakably Real

The Daily

Mar 13, 2026 SXSW opens, Another Gaze returns, and Juliette Binoche is on tour with her directorial debut.

Upcoming Episodes

The Daily

Aug 26, 2021 Steven Soderbergh lines up another series and adaptations of novels by Colson Whitehead and Taffy Brodesser-Akner are in the works.

Aug 11, 2020 The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...

Jan 13, 2018 Even as we anxiously await If Beale Street Could Talk, based on the novel by James Baldwin and Barry Jenkins’s followup to Moonlight (image above: directing Alex R. Hibbert), he’s already attached to another project, as Deadline’s Mike Fleming Jr....

Aug 8, 2017 In Jan Speckenbach’s “intriguing, sincere, if somewhat overreaching sophomore feature,” Freedom, “Nora (Johanna Wokalek) wanders past Breugel’s Tower of Babel painting in the Kunsthistorisches Museum in Vienna, while in Berlin, unaware of her whereabouts, her lawyer husband Philip (a sympathetic...

Current Page
104
of 210

You have no items in your shopping cart