The Criterion Collection
Essays
Aug 28, 2000 — Good Morning is the wildcard in Yasujiro Ozu’s career, the film that looks least like all his others, and one of the few where he sees the world through childrens’ eyes rather than those of an old man.For many years,...
Essays
Feb 1, 1999 — After finishing Diabolique, heralded French director-screenwriter Henri-Georges Clouzot (1907–1977) confessed that all he had intended was to make a picture that would “amuse myself” and please a young girl who hid under the covers and asked her father to frighten...
Jul 1, 2019 — The late forties and early fifties produced Italian cinema’s single most important export: the neorealism of Roberto Rossellini, Vittorio De Sica, and Luchino Visconti, treasured by generations of cinephiles and filmmakers all over the world. In Italy during the same...
Production Notes
Jun 22, 2010 — Sitting on a hard drive here in the office is the unedited footage of an interview we shot here with Peter Brunette on April 26, for an upcoming release of Senso. The release had been delayed, but I told Peter that since...
The Daily
Apr 7, 2025 — Children are the focus of several of the films in this year’s showcase of emerging filmmakers.
Essays
Aug 4, 2014 — Rebellious children of the sixties become conflicted consumers of the eighties in Lawrence Kasdan’s elegiac comedy-drama.
The actor and director praises Iranian cinema legends Abbas Kiarostami and Jafar Panahi, shares why he considers Luis Buñuel to be “the grand master of cinema,” and reminisces about spending his childhood at the movie theater.
The legendary Iranian filmmaker explored the boundaries between reality and fiction, the complexities of childhood, and the beauty of his country’s landscapes.
On the Channel
Jun 29, 2022 — This month on the Channel brings a collection of boxing movies, a survey of film noir steeped in expressionistic color, and a tribute to the classic Hollywood director Henry King.