The Criterion Collection
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Essays
Nov 26, 2018 — The Magnificent Ambersons In his interviews with Peter Bogdanovich published as This Is Orson Welles, Welles speaks nostalgically of the time he spent with his father in a tranquil enclave of 1920s Illinois, comparing it to “a childhood back in...
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...
Nov 20, 2018 — In this video, the Oscar-winning director of The Shape of Water explains how the mix of terror and lyricism in Charles Laughton’s masterpiece went on to influence his own style.
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
Nov 20, 2018 — The loss of Pablo Ferro and Douglas Rain reminds us that Kubrick had a sharp eye for unique talent.
On the Channel
Nov 15, 2018 — If you loved the adventurous curated programming we’ve been doing with our friends at FilmStruck, we have good news for you.
Nov 13, 2018 — Turning to theater for inspiration, Kenji Mizoguchi transformed a popular eighteenth-century play into a spiritually charged meditation on forbidden love and societal oppression.
Nov 7, 2018 — DOC NYC, the largest documentary festival in the U.S., will present 300 films in eight days.