Dec 14, 2018 “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 11, 2018 As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.

Dec 9, 2018 Songbook The final scene of Robert Altman’s 1975 film Nashville belongs to the transient wannabe singer Albuquerque, played by the late Barbara Harris. Up to that point, the storyline has followed numerous musician characters who are striving to get discovered or bolster...

Dec 7, 2018 Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Globes and Laurels

The Daily

Dec 6, 2018 Adam McKay’s Vice leads the Golden Globe nominations as critics write up their lists of the best of 2018.

Dec 4, 2018 Twelve episodic works and seventy-three shorts will premiere in Park City, while Rotterdam shines its spotlight on Parajanov and Godard.

Nov 29, 2018 The lights may go out at midnight, but we will still be carrying the torch.

Nov 28, 2018 Made on a shoestring budget, Edgar G. Ulmer’s 1945 Detour is a landmark of film noir, a hardboiled thriller that represents the genre at its seediest and most fatalistic. But despite amassing critical acclaim and a significant cult following over the decades,...

Nov 28, 2018 In the 1940s, the nonlinear narrative began to enter the mainstream, as films like Citizen Kane and Double Indemnity boldly did away with the chronological mode that had dominated the cinematic storytelling of decades prior. While the visionary Orson Welles...

Nov 28, 2018 The career of one of Italy’s greatest directors was riddled with scandal and accolades.

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