The Criterion Collection
May 6, 2016 — The distinctive musician and composer discusses his instinctive approach to composition and the value of a total immersion into a film’s world.
Feb 18, 2016 — The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.
Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
The Daily
Aug 28, 2026 — Revisiting work by Whit Stillman, Frederick Wiseman, Nathaniel Dorsky—and lots of road movies.
The Daily
May 4, 2026 — L’Alliance New York presents a series of films by a director ripe for discovery in the U.S.
The Daily
Feb 27, 2026 — Tony Kushner revisits Munich, a Satyajit Ray restoration hits theaters, and the new Film Quarterly is out and free.