The Criterion Collection
Jan 11, 2016 — In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.
In Theaters
Jan 8, 2016 — In March of 1967, Bosley Crowther, then the film critic for the New York Times, wrote about Orson Welles’s Chimes at Midnight, penning what is now considered one of his most famously wrong-headed reviews.
Features
Jan 5, 2016 — The late Haskell Wexler wore many hats—he was an independent, impassioned documentarian; a commercial Hollywood cinematographer; a political and social activist; an institutional (even union) contrarian. He was also an exemplar of how to live.
Dec 15, 2015 — Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”
Dec 8, 2015 — In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.
Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”
Short Takes
Nov 9, 2015 — “When you feel loved, you’re liable to do some of your better work,” says Gena Rowlands in a new interview for Academy Originals, a web video series produced by the Academy of Motion Picture Arts and Sciences. The incomparable actress,...
Interviews
Oct 30, 2015 — The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...
Short Takes
Oct 19, 2015 — Take a look back at critics’ initial reactions to David Lynch’s haunting masterpiece Mulholland Dr.
Essays
Oct 13, 2015 — Divorce wreaks a particularly devastating form of havoc in David Cronenberg's personal take on the dissolution of a marriage.