The Criterion Collection
Aug 4, 2020 — The NYFF lines up three films by Steve McQueen, Venice adds two titles, and Telluride reveals the lineup for the edition that would have been.
Aug 3, 2020 — Songbook “You’ve probably heard that one before, but what the hell. If it was never new, and it never gets old, then it’s a folk song.” first spoken dialogue in Inside Llewyn Davis The coldest murder in the Coen Brothers...
Aug 3, 2020 — The first European box-office success of the movement dubbed the New German Cinema, Volker Schlöndorff and Margarethe von Trotta’s 1975 The Lost Honor of Katharina Blum took on a hot-button issue: the paranoia provoked by homegrown terrorism and the opportunity that...
Aug 3, 2020 — The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.
The Daily
Jul 31, 2020 — This week we’re reading about Stanley Kubrick, Jean-Luc Godard, Luchino Visconti, Amy Seimetz, and the cinematic allure of fictional cults.
On the Channel
Jul 30, 2020 — Channel Calendars Stuck at home this summer? Don’t let that get you down—our Bad Vacations series makes the case for staying in and watching movies, cataloguing an array of holiday horrors ranging from existential ennui to full-throttle terror. That’s just...
Jul 27, 2020 — The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...
The Daily
Jul 24, 2020 — On our minds this week: Bruce Lee’s legacy, Alfonso Cuarón’s dystopia, Hitchcock’s hands, and those Black Lives Matter movie lists.
Production Notes
Jul 22, 2020 — 1.Paramount bought the rights to the novel The War of the Worlds from author H. G. Wells in 1925 at the request of Cecil B. DeMille, who was by then one of silent-era Hollywood’s most successful directors. DeMille originally planned to make...
Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...