The Criterion Collection
Jan 11, 2011 — Given the scarcity of information available in the sixties, director Byron Haskin did a remarkable job of representing some of the conditions on our nearest planetary neighbor, nearly a year before the first close-up views of the real Martian surface.
The Daily
Jun 15, 2026 — L’Alliance New York celebrates a mischievously fruitful collaboration with a six-film series.
The Daily
Jul 21, 2025 — Summer offers new biographies and memoirs, expansively big ideas, and more than a few curious fictions.
The Daily
Jan 12, 2024 — This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.
The Daily
Mar 2, 2023 — The Film Forum series spotlights Moreau’s close working relationships with Louis Malle, François Truffaut, Orson Welles, and Marguerite Duras.
Jan 5, 2021 — The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....
The Daily
Mar 1, 2019 — Barbara Hammer gives an “exit interview,” Béla Tarr discusses Sátántangó, and Neil Jordan writes about the projects that got away.
Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...
The Daily
Dec 22, 2017 — “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...
Features
Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.