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Violent

Mar 19, 2024 One of the first postrevolutionary Iranian films screened and celebrated internationally, Amir Naderi’s autobiographical masterpiece is a lyrical exploration of childhood that showcases the director’s gift for radical simplicity.

March Books

The Daily

Mar 18, 2024 It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.

Mar 18, 2024 Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Mar 12, 2024 In this profoundly emotional portrait of artist Nan Goldin, director Laura Poitras explores how her subject’s creative sensibility and commitment to activism spring from the same source.

Mar 8, 2024 This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Jan 18, 2024 Revival screenings mark the anniversary, and critics list their most-anticipated films from this year’s lineup.

Jan 4, 2024 Critics and filmmakers remember a subtle giant of the stage and screen.

Nov 30, 2023 A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.

Nov 21, 2023 What stuck with me most after watching La cérémonie (1995) for the first time was the chewing gum.It’s not the scene most often cited in discussions of this late-career classic from French thriller master Claude Chabrol. Don’t get me wrong:...

Oct 30, 2023 At a crucial point in the gleefully unhinged and unapologetically nihilistic teen horror movie Ginger Snaps (2000), two death-obsessed teen sisters wasting away in suburban Canada, Brigitte and Ginger, find themselves at their school nurse’s office, in a desperate final...

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