The Criterion Collection
Sneak Peeks
Jan 7, 2016 — View a clip from Lady Snowblood: Love Song of Vengeance, featuring actor Meiko Kaji in a scene that highlights the film’s dazzlingly choreographed combination of visual beauty and unflinching ferocity.
Features
Sep 20, 2024 — With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.
Features
May 11, 2022 — Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.
Aug 12, 2025 — This remarkably sensitive yet jarringly violent romance epitomizes director Youssef Chahine’s late-fifties hybrid style, which combined elements of Hollywood entertainment with an unmistakably Egyptian spirit.
Sep 29, 2020 — In this masterpiece from the father of modern Indonesian cinema, Usmar Ismail, a violent military culture grips the nation in the years following a brutal revolution.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
May 27, 2015 — Costa-Gavras’s political drama sheds disturbing light on the violent methods used by governments to maintain order.
May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.
Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...
In her raw, evocative dramas, this acclaimed French director has examined the effects of colonialism in Africa and the human struggle for intimacy in a violent and alienating world.