Us

Mar 24, 2016 — With Edward Yang’s A Brighter Summer Day finally available in the U.S., screenwriter Hung Hung talks about his working relationship with Yang, the film’s truncated distribution and slow path to acclaim, and the real-life roots of its narrative.

Jan 6, 2016 — Celebrated English playwright, actor, screenwriter, and composer Noël Coward brought us many cinema classics, but his relationship with the medium was far from straightforward, as Coward scholar Barry Day explains in a post at Literary Hub.

Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.

Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.

Feb 26, 2015 — Ben Wheatley is the director of Down Terrace, Kill List, Sightseers, and A Field in England. He says: “Criterion, to me, has always been an exclusive collection. It stood out due to the choices they made and the design. But...

Dec 11, 2014 — The opening installment of Terry Gilliam’s “Trilogy of Imagination” reminds us we’d be better off if we paid more attention to the kid’s-eye view of things.

Jun 17, 2014 — The brutal lessons of Vietnam remained in America’s national consciousness for a generation. September 11 gave us collective amnesia, and they’ve had to be learned again.

Jun 13, 2014 — Last November, when we announced that we would start releasing dual-format editions, we hoped that we had found an alternative that would address our concerns about packaging costs across two formats, while guaranteeing that both DVD and Blu-ray customers would...

Apr 24, 2014 — James Schamus is the former CEO of Focus Features; the producer of, among other films, Ride with the Devil (1999) and Brokeback Mountain (2005); the screenwriter and producer of The Ice Storm (1997); and a professor of professional practice at...

Dec 30, 2013 — Charlie Chaplin’s comedy has a secret ingredient that has bound us to him forever.