The Criterion Collection
The Daily
Mar 27, 2024 — The director of the films that launched the Zatoichi and Lone Wolf and Cub series made three virtuosic, melancholic dramas in the early 1960s.
Features
Feb 13, 2023 — Desperately seeking community in her college years, the writer discovered the world of experimental cinema when she stumbled on a short-film program at an art-house in Manchester, England.
The Daily
Dec 21, 2020 — This month we’re reading David Bordwell on the Massive Auteur Monograph, Rachel Kushner on Marguerite Duras, and Adam Gopnik on early animation.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...
Nov 16, 2022 — After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.
Features
Jan 20, 2020 — In celebration of Federico Fellini’s 100th birthday, the director of The Farewell talks about the deeply moving final scene of Nights of Cabiria and its mixture of pain and hope.
The Daily
Apr 3, 2019 — This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.
The Daily
Apr 2, 2018 — This week sees the openings of the San Francisco International Film Festival, Locarno in Los Angeles, and DOC10 in Chicago, and I’ll have separate entries on all three events in a couple of days. New York. The BAMcinématek series Tough...
The Daily
Mar 20, 2018 — For the London Review of Books, Gaby Wood writes about Nicholas Ray’s In a Lonely Place (1950) and the 1947 novel it’s based on by Dorothy B. Hughes. “When filming began, Ray was married to its female lead, Gloria Grahame;...
The Daily
Jan 29, 2018 — This weekend was about the Grammys, of course, but it wasn’t all about the Grammys. As Guy Lodge reports for Variety, Martin McDonagh’s Three Billboards Outside Ebbing, Missouri “may be proving the most critically divisive of this year’s top Oscar...