The Criterion Collection
Essays
Sep 23, 2025 — A tale of animal survival in a world deserted by humanity, Gints Zilbalodis’s Oscar-winning triumph casts a hushed spell with its elemental storytelling, immersive visual style, and creaturely subjectivity.
The Daily
Jan 30, 2025 — The next four days see the spotlights hit Frederick Wiseman, Jerry Schatzberg, Chantal Akerman, and more.
The Daily
Sep 16, 2019 — Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.
Mar 21, 2024 — Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).
Jul 23, 2007 — It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
Features
Feb 22, 2013 — The writer shares his memories of his friendship with the great writer and Japanese cinema expert, who passed away this week.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Aug 28, 2025 — Made for public television, this moving vérité documentary about three terminally ill cancer patients is one of the purest expressions of the director’s career-long preoccupation with human fragility.
Oct 16, 2006 — Alfonso Cuarón’s first film—a sex farce that pokes fun at Mexican culture, including a public-service AIDS campaign—emerged from Mexico’s beleaguered state funding system for cinema, and was initially shelved by the government.