The Criterion Collection
Essays
Sep 23, 2025 — A tale of animal survival in a world deserted by humanity, Gints Zilbalodis’s Oscar-winning triumph casts a hushed spell with its elemental storytelling, immersive visual style, and creaturely subjectivity.
The Daily
Sep 15, 2025 — First Nomadland, and now, Hamnet. Chloé Zhao is the first filmmaker to win the People’s Choice Award twice.
The Daily
Sep 12, 2025 — Pasolini, Kurosawa, and a week so busy we need to wrap with a lightning round.
The Daily
Sep 8, 2025 — Father Mother Sister Brother and The Voice of Hind Rajab win top awards in Venice.
Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.
The Daily
Aug 6, 2025 — The festival selects thirty-four features including world premieres and the best from Sundance, Berlin, Cannes, Venice, and Toronto.
The Daily
Aug 6, 2025 — Along with its world premieres and restored classics, the festival presents a few films sure to spark debate.
The Daily
Jul 24, 2025 — Along with new work from Arnaud Desplechin and Anne Émond, the festival will present first features directed by Brian Cox, James McAvoy, and John Early.
The Daily
Jul 15, 2025 — Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.
The Daily
Jul 14, 2025 — The top prize, the Crystal Globe, goes to Better Go Mad in the Wild, a portrait twins living out their days on an isolated farm.