My Teacher

Aug 26, 2022 — In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.

Aug 19, 2022 — Věra Chytilová, Lodge Kerrigan, and the first zombies are back in theaters; plus, a tour of installations by Agnès Varda.

May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

Mar 15, 2022 — A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.

Mar 1, 2022 — A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.

Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.

Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.

Dec 15, 2021 — The Film Independent Spirit Awards usher in a fresh round of contenders, while critics across the country vote for their favorites.

Nov 23, 2021 — First and foremost, Menace II Society is a movie for white people.These aren’t my words. These are the words of Albert Hughes, who codirected the movie with his twin brother, Allen. In several interviews, Albert has mentioned how he and...