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My Last Minute

Dec 4, 2006 I had said that I was going to write about growing up with a projector in my attic, and Peter’s writing about home last week brought back some memories. Movies were cool. In the late sixties, my father would bring...

Jun 16, 2026 As the longtime home of Wes Anderson’s work—gathered in the box set The Wes Anderson Archive—Criterion is uniquely positioned to bring audiences closer to the worlds he has created.And this July 10–12, Criterion will be part of the Hollywood Bowl’s...

Jun 4, 2026 Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful visits to cities across the United States and Canada. For our next stop, we are headed back to Los Angeles for...

Apr 21, 2026 Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful stops in cities across the United States and Canada. For our first trip this year, in partnership with PAM CUT, Criterion...

Sep 8, 2025 After wildly successful stops in multiple cities across the United States and, most recently, in Toronto at TIFF, we’re making a trip to Chicago!

Aug 7, 2025 After wildly successful stops in multiple cities across the U.S., we’re taking the Mobile Closet outside the country for the first time this September.

Apr 17, 2025 After a wildly successful stop at SXSW, where we welcomed over a thousand film fans, the Mobile Closet is making its way to Vidiots and American Cinematheque in LA.

Feb 19, 2025 Following its wildly successful launch at the New York Film Festival and a Brooklyn stop at St. Ann’s Warehouse, the Criterion Mobile Closet is making its first trip outside of New York City this March.

Sep 19, 2024 In honor of our fortieth anniversary, we’re taking the Closet on the road and opening the door to everyone. Come in, explore the collection, and make your own Closet video!

Jun 25, 2024 Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

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