The Criterion Collection
Features
May 22, 2020 — Walking, like breathing, is something we do without thinking, an activity so common that pedestrian has as its second meaning uninspired, ordinary, dull. But when this action appears in a movie, it is revealed as more than the original mode...
The Daily
Feb 3, 2020 — Nearly half of the awards presented over the weekend went to female filmmakers.
The Daily
Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
The Daily
May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.
The Daily
Mar 8, 2019 — Claire Denis in Film Comment, an ongoing project at Directed by Women, and Glenda Jackson and Meryl Streep in conversation are among this week’s highlights.
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.
Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.
Mar 27, 2018 — At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.
Features
Jul 31, 2017 — What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.