Gunn

May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...

Apr 24, 2019 — American cinema has lost one of its most visionary artists.

Feb 28, 2019 — The spring 2019 issues are out—and Jonathan Rosenbaum is rolling out a new two-volume collection.

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”

Dec 9, 2018 — Songbook The final scene of Robert Altman’s 1975 film Nashville belongs to the transient wannabe singer Albuquerque, played by the late Barbara Harris. Up to that point, the storyline has followed numerous musician characters who are striving to get discovered or bolster...

Nov 9, 2018 — This week has seen appreciations of such disparate figures as Ida Lupino, André Bazin, and F. J. Ossang.

Aug 2, 2018 — The Swedish master finds desire and despair in the fashion world in a key transitional film from 1955.

Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.

Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...