The Criterion Collection
Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.
Essays
Jul 21, 2008 — A dreamy alternative to the standard notion of horror, Carl Theodor Dreyer’s phantasmal film reimagined the figure of the vampire.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.
The Daily
Oct 3, 2024 — The winner of the top prize in San Sebastián, Serra’s first nonfiction feature screens at the New York Film Festival.
The Daily
Oct 3, 2023 — Echoes of the eighty-three-year-old director’s life and career are heard throughout his fourth feature.
Features
Sep 25, 2023 — There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...
Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.