Days and Nights Shooting Casque d’or
August 17, 2012
Film Info
- France
- 1952
- 94 minutes
- Black and White
- 1.33:1
- French
- Spine #270
Jacques Becker lovingly evokes the belle epoque Parisian demimonde in this classic tale of doomed romance. When gangster’s moll Marie (Simone Signoret) falls for reformed criminal Manda (Serge Reggiani), their passion incites an underworld rivalry that leads inexorably to treachery and tragedy. With poignant, nuanced performances and sensuous black-and-white photography, Casque d’or (Golden Marie) is Becker at the height of his cinematic powers—a romantic masterpiece.
Cast
| Marie | Simone Signoret |
| Georges Manda | Serge Reggiani |
| Felix Leca | Claude Dauphin |
| Raymond | Raymond Bussières |
| Danard | Gaston Modot |
| Police Inspector Giuliani | Paul Barge |
| Julie | Dominique Davray |
Credits
| Director | Jacques Becker |
| Producer | Robert Hakim |
| Production manager | Henri Baum |
| Screenplay | Jacques Becker and Jacques Companeez |
| Adaptation and dialogue | Jacques Becker |
| Cinematography | Robert Le Febvre |
| Editing | Marguerite Renoir |
| Sound | Antoine Petitjean |
| Costume design | Mayo |
| Assistant director | Marcel Camus |
| Music | Georges van Parys |
Disc Features
- New, restored high-definition digital transfer
- Audio commentary by film scholar Peter Cowie
- 1995 video interview with actor Serge Reggiani
- 1963 interview with actress Simone Signoret from the French television program Cinepanorama
- Excerpt from an episode of the French television series Cineastes de notre temps, dedicated to Jacques Becker
- Rare, silent behind-the-scenes footage of Becker on the set, with commentary by film scholar Philip Kemp
- New essay by Kemp
- New and improved English subtitle translation
New cover by Christine Ditrio
Current Posts
Photo Galleries
Film Essays
Casque d’or: Tenderness and Violence
By January 17, 2005
Along with Touchez pas au grisbi and Le Trou, Casque d’or is now widely recognized as the summit of Jacques Becker’s achievement as a filmmaker, a distillation of everything that’s most personal . . . Read more »
Film Essays
Casque d’or: Tenderness and Violence
By January 17, 2005
Along with Touchez pas au grisbi and Le Trou, Casque d’or is now widely recognized as the summit of Jacques Becker’s achievement as a filmmaker, a distillation of everything that’s most personal . . . Read more »
Photo Galleries
Clippings
BAZIN UNBURIED
May 14, 2009
Here’s a definite must-read: in its latest issue, Bright Lights Film Journal features André Bazin’s essay “Fifteen Years of French Cinema,” in its first-ever English translation (by Bert . . . Read more »
Film Essays
Casque d’or: Tenderness and Violence
By January 17, 2005
Along with Touchez pas au grisbi and Le Trou, Casque d’or is now widely recognized as the summit of Jacques Becker’s achievement as a filmmaker, a distillation of everything that’s most personal . . . Read more »
