ByMarch 21, 2011
LIVING ROOM The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, . . . Read more »
In No Blood Relation, a gripping early example of Mikio Naruse’s cinematic boldness, featuring a screenplay by Ozu’s famed collaborator Kogo Noda, an actress returns to Tokyo after a successful stint in Hollywood to reclaim—with the help of her gangster brother—the daughter she abandoned years before.