Alexander Korda

Rembrandt

Rembrandt

Charles Laughton once again teams up with Korda for this moving, elegantly shot biopic about the Dutch painter. Beginning when Rembrandt’s reputation was at its height, the film then tracks his quiet descent into loneliness and isolated self-expression, following the death of his wife to the unveiling of Night Watch to the ecclesiastical excommunication of his late-in-life lover and maid, Hendrickje Stoffels (played by Laughton’s wife, Elsa Lanchester). Though black and white, Rembrandt is shot by cinematographer Georges Périnal (Le million, The Fallen Idol) with an attention to light that’s particularly Rembrandtesque.

Film Info

  • Alexander Korda
  • United Kingdom
  • 1936
  • 85 minutes
  • Black & White
  • 1.33:1
  • English

Available In

Collector's Set

Eclipse Series 16: Alexander Korda’s Private Lives

Alexander Korda’s Private Lives

DVD Box Set

4 Discs

$47.96

Rembrandt
Cast
Charles Laughton
Rembrandt
Gertrude Lawrence
Geertje
Elsa Lanchester
Hendrickje
Edward Chapman
Fabrizius
Walter Hudd
Banning Cocq
Roger Livesey
Beggar Saul
Herbert Lomas
Rembrandt's father
Credits
Director
Alexander Korda
From the play by
Carl Zuckmayer
Scenario by
June Head
Cinematography
Georges Périnal
Editing
Francis Lyon
Settings designed by
Vincent Korda
Musical direction
Muir Matheson
Musical score by
Geoffrey Toye
Costumes
John Armstrong

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Explore

The Kordas

Director, Producer, Production Designer

During sound cinema’s first full decade, the Hungarian-born Korda brothers—Alexander, Zoltán, and Vincent—built a British empire. The mastermind behind their legendary company, London Films Productions, was producer, director, writer, and eventual mega-mogul Alex; born Sándor Kellner, he became interested in the art of silent cinema as a teenager in his home country, writing criticism and even founding a movie magazine before finding success making his own films all over Europe. In the late twenties, following a short stint in Hollywood, Alex was sent to England to head up Paramount’s British Production Unit; in 1932, he established London Films and brought aboard his younger siblings, Zoltán as a writer/director and Vincent as a production designer. Their first big hit was The Private Life of Henry VIII (1933), which earned Charles Laughton an Oscar and the Kordas international attention. The rest of the thirties held highs (The Rise of Catherine the Great, Elephant Boy) and lows (The Private Life of Don Juan) for the company. But its films—often about historical personalities (Rembrandt) or the exploits of the British Empire abroad (Sanders of the River, The Four Feathers)—remain exemplars of a grand period of British cinema. In the forties, the Kordas only grew in stature—due not only to such immensely popular titles as The Thief of Bagdad and That Hamilton Woman but also to the selection of Alexander, the first film director to be so honored, for knighthood.