Austrian émigré Edgar G. Ulmer may not have become a widely celebrated figure during his lifetime the way his compatriot Billy Wilder did, but his career was nonetheless a marvel of persistence and resourcefulness. By the late 1930s, the director, who enjoyed a brief stint at Universal Pictures, was operating on the sidelines of the industry, and his 1945 Detour shows off the power of his artistry under the scrappiest of conditions. A fatalistic tale of a down-and-out pianist who finds nothing but bad luck and the ever-looming specter of criminality on the road, the film suggests Ulmer’s own feelings of having been marginalized as an artist, while also serving as a testament to his ability to craft a masterpiece with a very tight shooting schedule and a tiny budget. In a new interview on our recently released edition, scholar Noah Isenberg details the director’s rocky road through (and beyond) Hollywood, and how the challenges he faced as a B-movie director prepared him for the most influential work of his career. Watch the above excerpt to see just how Ulmer was able to cut corners and make it all happen.
Donald Richie Uncovers the Traces of a Lost Japan
In collaboration with director Lucille Carra, the renowned writer brought his impressionistic travelogue The Inland Sea—an unusual choice for a film adaptation—to the big screen.
A Palette That Sizzles On-Screen
Filmmaker Darnell Martin and writer Nelson George discuss how vividly Do the Right Thing captures the heat of a Brooklyn summer and the diverse skin tones of its cast of color.
A Genius of French Cinema Delivers a Career-Defining Performance
Raimu is at his subtle best in one of the most moving scenes in The Baker’s Wife, a moment in which the actor channels the collective despair of France’s working class.