Gifted with crack timing and a caustic wit, Elaine May first came up as an improv comedian in the late fifties, forming the popular satirical tandem of Nichols and May with her college classmate Mike Nichols. By the time May had begun her career behind the camera in the early seventies, the duo had long since dissolved (with her former collaborator starting a filmmaking career of his own), but her flair for making the most of spontaneity had not. In the above excerpt taken from a supplement on our new edition of Mikey and Nicky—May’s brilliantly tetchy tale of an old friendship put under the gun one night in the City of Brotherly Love—critics Richard Brody and Carrie Rickey examine the remarkably live-wire work of Peter Falk, John Cassavetes, and their costars. While Brody highlights the dynamic verbal and physical interplay between Falk and Cassavetes, who had worked together before in Cassavetes’s Husbands and A Woman Under the Influence, Rickey homes in on the film’s colorful supporting players, in the process showing May’s deep appreciation for the craft of acting.
Liv Ullmann Recalls “Shattering” Moments on the Set of Shame
While working on Ingmar Bergman’s devastating antiwar film, the actress developed an emotionally intense chemistry with her costar Max von Sydow.
The Real-Life Rage That Fueled Lee Grant in In the Heat of the Night
In this excerpt from a new interview, the actor talks about how she channeled her political anger in the role of a distraught widow in Norman Jewison’s Oscar-winning crime drama.
How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.
A World-Cinema Master Gives the World One Last Look
After his father’s death in 2016, Ahmad Kiarostami helped complete the conceptually daring meditation on image-making the great Iranian director had been working on for the last five years of his life.