In her first feature, The Virgin Suicides, Sofia Coppola emerged as a remarkably assured young talent with a bold approach to layering sound and image. Adapting Jeffrey Eugenides’s 1993 novel about five young girls living in 1970s suburbia, she used Ed Lachman’s beautifully textured cinematography and a dreamlike electronic score by the French band Air to evoke a wide range of female adolescent experience, including the thrill of young romance. Among the film’s most memorable moments is a make-out scene with one of the girls, Lux Lisbon (Kirsten Dunst), and high-school heartthrob Trip Fontaine (Josh Hartnett), who has just spent an evening with her family. At the end of the night, Trip is sitting inside his car when Lux unexpectedly barges in, having snuck out of the house in her pink nightgown. What follows is a burst of long-restrained desire, and Coppola made the inspired choice to score the scene with Heart’s “Crazy on You,” which she had played on-set to get her actors in the mood. In this excerpt from a new program on our release of The Virgin Suicides, Coppola, Dunst, and Hartnett recall what it was like to bring this intimate scene to life.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.