In her first feature, The Virgin Suicides, Sofia Coppola emerged as a remarkably assured young talent with a bold approach to layering sound and image. Adapting Jeffrey Eugenides’s 1993 novel about five young girls living in 1970s suburbia, she used Ed Lachman’s beautifully textured cinematography and a dreamlike electronic score by the French band Air to evoke a wide range of female adolescent experience, including the thrill of young romance. Among the film’s most memorable moments is a make-out scene with one of the girls, Lux Lisbon (Kirsten Dunst), and high-school heartthrob Trip Fontaine (Josh Hartnett), who has just spent an evening with her family. At the end of the night, Trip is sitting inside his car when Lux unexpectedly barges in, having snuck out of the house in her pink nightgown. What follows is a burst of long-restrained desire, and Coppola made the inspired choice to score the scene with Heart’s “Crazy on You,” which she had played on-set to get her actors in the mood. In this excerpt from a new program on our release of The Virgin Suicides, Coppola, Dunst, and Hartnett recall what it was like to bring this intimate scene to life.
Memories of a Martial-Arts Master
In this outtake from an interview with Shangkuan Ling-fung, the Taiwanese wuxia icon gets nostalgic about her encounters with Bruce Lee.
How Ron Shelton Did Justice to the “Talking Sport”
The director of Bull Durham explains the ins and outs of bringing baseball to the screen and why Kevin Costner is the finest athletic actor he’s worked with.
The Birth of a Hollywood Bad Girl
The product of consummate artistry and savvy promotion, Marlene Dietrich’s salacious image opened up erotic frontiers for a generation of moviegoers.
The Hope That Fueled Bowling for Columbine
How much can a film turn the tide on American violence? Michael Moore and archivist Carl Deal reflect on the moral urgency that gave rise to one of the most talked-about documentaries of all time.