What’s it like to live in Alaska? Though it has rarely gotten its due on the big screen, programmer Colette Costa sets out to tackle this question in her ongoing series on the Criterion Channel on FilmStruck, highlighting movies that—despite being filmed elsewhere—capture the spirit of living in America’s largest and most sparsely populated state. Last year, Costa kicked off the series as part of the Channel-exclusive program Art-House America, in which we shined a spotlight on how her tireless work has turned a small theater called the Gold Town Nickelodeon into a home for movie-loving locals in Juneau, Alaska. This week, Costa’s series finds her revisiting Local Hero, director Bill Forsyth’s 1983 ode to his native Scotland, which follows the story of a Texas oil executive (Peter Riegert) sent by his boss (Burt Lancaster) to buy up land in a Scottish village. In the above introduction, Costa talks about how she first encountered this wry, poignant comedy years before moving to Alaska, and how its depiction of a remote town and its vibrant, often quirky community has come to feel familiar to her now that she calls Juneau home.
Carl Theodor Dreyer’s Most Unusual Experiment
In the latest episode of Observations on Film Art, scholar David Bordwell examines the deeply strange horror film Vampyr, which uses popular material as a springboard for innovations in mood and technique.
Perhaps the only thing more fun than watching a perfectly executed cinematic heist unfold is watching it unravel, as evidenced by twelve heist-movie classics now on the Criterion Channel.