Beginning in the 1980s, director Juzo Itami and his wife, actor Nobuko Miyamoto, became a powerhouse duo on the international film scene, finding success with a string of movies about hardworking independent women. In the latest installment of our Creative Marriages series, now playing on the Criterion Channel on FilmStruck, we’re taking a closer look at their artistic collaboration and the relationship they shared off-screen. As part of the program, we’re highlighting two of their greatest hits: the 1985 “ramen western” Tampopo, in which Miyamoto plays a widow determined to become a topnotch noodle chef, and the award-winning 1987 seriocomic thriller A Taxing Woman, in which she stars as a tax auditor investigating a shady millionaire. In the below video, programmer Michael Sragow explains how Itami and Miyamoto brought a fresh comedic perspective to female-driven narratives, one that departed from the tragic depictions of women that dominated Japanese cinema of the past.
Carl Theodor Dreyer’s Most Unusual Experiment
In the latest episode of Observations on Film Art, scholar David Bordwell examines the deeply strange horror film Vampyr, which uses popular material as a springboard for innovations in mood and technique.
Perhaps the only thing more fun than watching a perfectly executed cinematic heist unfold is watching it unravel, as evidenced by twelve heist-movie classics now on the Criterion Channel.