Released in 1973, near the end of General Franco’s military dictatorship, Víctor Erice’s strikingly poetic first film, The Spirit of the Beehive, reflects on the earliest days of the regime, depicting the aftermath of the Spanish Civil War in an isolated Castilian village through the wide eyes of a taciturn six-year-old named Ana. In the latest installment of Observations on Film Art, a Criterion Channel original program that focuses on great auteurs’ mastery of the formal elements of cinema, film-studies scholar Kristin Thompson examines Erice’s adoption of a child’s point of view in telling his elliptical fable about the traumas of war. The below excerpt from the episode finds Thompson contrasting other art films’ use of children as sympathetic focal points with Erice’s less common choice of employing the technique to emphasize the horrors and mysteries of the adult world.
Consuming the Cat: Brenda Lien Calls Out an Internet Fetish
In a short film now featured on the Criterion Channel, the German filmmaker interrogates our insatiable appetite for feline memes and what it says about our consumerist culture.
The Art of Lighting a Comedic Thriller
In the latest episode of Observations on Film Art, Professor Kristin Thompson explores how Ernst Lubitsch’s satirical masterpiece To Be or Not to Be employs a venerable cinematographic technique: three-point lighting.