When they starred together in The French Lieutenant’s Woman in 1981, Meryl Streep and Jeremy Irons were not yet the movie icons we know them as today. Though Streep had already won a best supporting actress Oscar for Kramer vs. Kramer and Irons was a well-regarded stage and television actor, this major adaptation of John Fowles’s acclaimed best seller, directed by Karel Reisz—who’d cofounded the legendary Free Cinema movement in England in the fifties and whose Saturday Night and Sunday Morning was one of the most important films of the British New Wave of the sixties—gave them their first big-screen leading roles. In this excerpt from a new interview program on our release of The French Lieutenant’s Woman, out this week, Streep and Irons remember the late Reisz’s gentle but effective directing style.
A Subtler Side of the Hepburn-Grant Magic
Filmmaker and distributor Michael Schlesinger and critic Michael Sragow dive into the pleasures of Holiday, a romantic-comedy classic that has long stood in the shadow of The Philadelphia Story but has a poignancy all its own.
Wim Wenders Looks Back on the Digital Future He Predicted
From search engines to all-engrossing handheld devices, the technologies that the German director conjured for his 1991 opus Until the End of the World are now common features of contemporary life.
John Bailey Breaks Down a Tour de Force of Gothic Lighting
The veteran cinematographer takes a close look at the highly stylized and atmospheric lighting in one of the most pivotal scenes in pre-Code classic The Story of Temple Drake.
All About Mankiewicz
One of the most celebrated Hollywood writer-directors of his time, Joseph L. Mankiewicz offers a window into the way he sees his characters in this illuminating clip from an archival interview.