When they starred together in The French Lieutenant’s Woman in 1981, Meryl Streep and Jeremy Irons were not yet the movie icons we know them as today. Though Streep had already won a best supporting actress Oscar for Kramer vs. Kramer and Irons was a well-regarded stage and television actor, this major adaptation of John Fowles’s acclaimed best seller, directed by Karel Reisz—who’d cofounded the legendary Free Cinema movement in England in the fifties and whose Saturday Night and Sunday Morning was one of the most important films of the British New Wave of the sixties—gave them their first big-screen leading roles. In this excerpt from a new interview program on our release of The French Lieutenant’s Woman, out this week, Streep and Irons remember the late Reisz’s gentle but effective directing style.
Jennifer Salt Unravels the Twisted Psychology of Sisters
The actor looks back on her experience on the set of Brian De Palma’s first Hitchcockian thriller and her friendship with costar Margot Kidder.
Is Fassbinder’s Working-Class TV Drama Effective as Political Art?
A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.