More: Sneak Peeks
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.
All the Bad Men in Let the Sunshine In
Claire Denis talks about the tricky task of casting the roles of Juliette Binoche’s male suitors in her slyly funny tale of middle-aged romance.
How to Implicate an Audience
Michael Haneke explains the strategy and inspiration behind his fourth-wall-breaking tricks in the brutal thriller Funny Games.