Who better to explain what an auteur of the cinema is than one of the originators of auteur theory? In his famous 1954 essay “A Certain Tendency in French Cinema,” published in Cahiers du cinéma five years before the release of his first feature, François Truffaut proposed the revolutionary notion that the director is the true author of a given film, an idea that has thoroughly permeated film culture by this point. Today, to mark what would have been Truffaut’s eighty-second birthday, we’re posting the following clip of the filmmaker describing auteur theory to New York Film Festival director Richard Roud in October 1977, from a conversation that aired on the New York arts program Camera Three and represented Truffaut’s first appearance on American television. More of the interview can be found on our special edition of Jules and Jim.
A Subtler Side of the Hepburn-Grant Magic
Filmmaker and distributor Michael Schlesinger and critic Michael Sragow dive into the pleasures of Holiday, a romantic-comedy classic that has long stood in the shadow of The Philadelphia Story but has a poignancy all its own.
Wim Wenders Looks Back on the Digital Future He Predicted
From search engines to all-engrossing handheld devices, the technologies that the German director conjured for his 1991 opus Until the End of the World are now common features of contemporary life.
John Bailey Breaks Down a Tour de Force of Gothic Lighting
The veteran cinematographer takes a close look at the highly stylized and atmospheric lighting in one of the most pivotal scenes in pre-Code classic The Story of Temple Drake.
All About Mankiewicz
One of the most celebrated Hollywood writer-directors of his time, Joseph L. Mankiewicz offers a window into the way he sees his characters in this illuminating clip from an archival interview.